Ooja

Working undercover as a sex worker in Nigeria, a young journalist out to expose corruption fights for her life as she forges a path to Europe.

聚焦德莱尼一家，前网球教练斯坦和乔伊卖掉了他们蓬勃发展的网球学院，准备开始安逸的退休生活，渴望与四个已经长大的孩子一起度过美好时光。而一个陷入困境的年轻女子出现在家门口，让他们的世界发生了戏剧性的转变，乔伊突然失踪，这个家庭隐藏的秘密开始浮出水面，迫使孩子们重新审视父母看似完美的婚姻。

Toronto, 1899. At the dawn of a new century, ambitious young politician Mackenzie King (Beirne) dreams of becoming the Prime Minister of Canada. At the top of his class at the Dominion School of Nationhood, King’s prospects are good and his clairvoyant Mother (Negin) has already chosen his future wife, the Governor-General’s militant daughter, Lady Ruby Elliott (St-Laurent). But when King loses his bid for both leadership and the hand of Ruby to the heroic Bert Harper (Ahooja), his world is thrown into a chaos of maudlin outbursts and compulsive masturbation. Based upon the neurosis and confusions recorded in Mackenzie King’s diary, Matthew Rankin’s The Twentieth Century walks an ambiguous line between historical biopic and speculative fiction. Filmed in studio on 16mm in with animated sequences, it is at once an epic melodrama, a fulminating satire and a hallucinogenic fugue-state.